The UHU Twist and glue is a product I have been wanting to try out...and here is my first result. I am very
happy with it; it is a very strong glue, and is transparent.
I took a couple of photos, as it's very difficult to photograph the marbles.
You need:
juice lid
2 glass marbles
2 buttons
bottle cap - smashed
pretty paper
gathered lace
small magnets for the back.
I stamped on the buttons, a squirrel, and a dog, with archival inkpad. The feet image is from a DaVinci
collection. I glued everything as shown in the pic - with the UHU twist and glue. It worked great!
Saturday, December 26, 2009
Sunday, December 20, 2009
LOVE IS: FABRIC BOOK
LOVE IS … Soft – yielding – endearing – passionate.
I enjoyed putting these pages together.
All the images were transferred onto fabric using two methods – gel medium, and adhesive-backed cotton.
Saturday, December 19, 2009
LUTRADUR PAGES
Two more Lutradur pages photographed - too lumpy for scanning!
The blue page has a painted piece of fabric softener sheet, which I was using to clean paint brushes, adhered to a paper towel. The little square is a Model Magic piece that I rubber stamped on. The pink page also has a pink fabric softener sheet, this time stenciled on with yellow paint. The round piece is a style stone with Opals stamped into. I love the colors in that set.
The blue page has a painted piece of fabric softener sheet, which I was using to clean paint brushes, adhered to a paper towel. The little square is a Model Magic piece that I rubber stamped on. The pink page also has a pink fabric softener sheet, this time stenciled on with yellow paint. The round piece is a style stone with Opals stamped into. I love the colors in that set.
SERENITY
I wanted to take a break from the hassles that Christmas can bring - of course along with all the joy.
I made this spread in a short time, it just came together so easily. I do love working with Asian themes, so this might also have something to do with it!
I used text strips on the left, and rice paper on the right.
Stamps, stencils, a napkin and rub-ons were used, and then I played with my Portfolio Water Soluble Oil Pastels on the right side. These are available at www.Quietfiredesign.com.
I made this spread in a short time, it just came together so easily. I do love working with Asian themes, so this might also have something to do with it!
I used text strips on the left, and rice paper on the right.
Stamps, stencils, a napkin and rub-ons were used, and then I played with my Portfolio Water Soluble Oil Pastels on the right side. These are available at www.Quietfiredesign.com.
Sunday, December 13, 2009
LUTRADUR BOOK
Saturday, October 31, 2009
FREEDOM TO PLAY
I experiment with coil-bound books to use them as journals. This one did not work out well; the pages seemed firm enough, but they did not take water media very well. It’s usually a trial and error kind of thing. This one will be tipped into another journal.
These pages started off with washes of Golden acrylics, followed by some rubber-stamping, then collaging of text papers and images, then more paints, including a favourite of mine – Portfolio Oil Pastels. Just building up textures.
Friday, October 23, 2009
Bejewelled Cover Instructions
I have had some inquiries about my Bejeweled book cover. Here is what I did:
The book I am altering has an old-fashioned cloth over bookboard cover. I painted the front cover with Golden’s Crackle Paste and left to dry. I then spritzed with water, and dropped a variety of Golden’s fluid acrylic onto it, brushing here and there to blend. When dry I spritzed again and put down some more colours. I then dribbled Golden’s Clear Tar Gel around the perimeter of the cover, let dry, then rubbed more paints on it with a sponge. I highlighted some areas with metallic rub-on creams.
The ‘jewels’ are curtain tiebacks.
Thanks so much for your interest, and the lovely comments you sent me.
The book I am altering has an old-fashioned cloth over bookboard cover. I painted the front cover with Golden’s Crackle Paste and left to dry. I then spritzed with water, and dropped a variety of Golden’s fluid acrylic onto it, brushing here and there to blend. When dry I spritzed again and put down some more colours. I then dribbled Golden’s Clear Tar Gel around the perimeter of the cover, let dry, then rubbed more paints on it with a sponge. I highlighted some areas with metallic rub-on creams.
The ‘jewels’ are curtain tiebacks.
Thanks so much for your interest, and the lovely comments you sent me.
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